1973 and 1974 tours. Thanks for the bump BobbyZ and for all of the contributions. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard Le style de ses solos est souvent caractris par des phrases influences par le blues, et par des notes tenues en portamento.Sa technique de glisss (glissando et slide), est parfaitement matrise.. Principalement guitariste, David Gilmour est galement multi-instrumentiste.Il joue de la basse (notamment sur certaines chansons . Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. Shown above - Rola Celestion G12/75 from 1976 and the Celestion G12T-75 from 1984, both made in England, Shown above - Rola Celestion G12-100 from 1982, made in England. Arthur Barnes (Centre) with David Biggs and Dennis Newbold. Fane produced a massive number of speaker models with many different options, so there is not one "Fane" sound, and the Crescendos sounded very different to other Fanes. Type A speakers were typically listed in speaker catalogs as "Crescendo 12A" and the spoke labels on the speakers identified them as type "12 A". There were also several different Fane Crescendo models with various speaker frame designs and labels. from 1994. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. The Black Label had all black printing so the text was in silver on black. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Fane Crescendo speakers were made by the legendary British loudspeaker company Fane throughout in the 1960s, '70s, and '80s. Producing high-quality pro audio transducers. The ink stamps on the cones of my speakers are marked 1021/15, but I have seen other Crescendo cones with completely different numbers. WEM sold these with many different brands of speaker inside, including Fane, Celestion, and Goodman. (Great Scott Marty!). What are the general sonic characteristics of each. Learn More. The Ascension F30 is a 30 watt, ceramic magnet, guitar speaker. Fane Crescendo speakers were made by the legendary British loudspeaker company Fane in the late 1960s, and throughout the 1970s and '80s. Speaker Recone Kits EV Electro Voice 15 EVM15L DIY Recone Kit 8 Ohm F.01U.110.882. The MB means it's a mid bass driver, like the type used in two-way ported enclosures with a horn tweeter. Those were used with his Hiwatts, and I presume the third was a spare. What is the difference between the old blackface and the silverface Twins? Fane Crescendo speakers for bass guitar cabinets. Select one or more of the filters below to view products meeting your criteria. Subwoofers and speakers Fane. By the late 1970s there were at least 14 different models of Crescendo speakers offered by Fane. -David Gilmour, Guitar Player, Nov 1984. During the 1960s the electric guitar created the need for more powerful 12-inch loudspeakers. The all new "Starfinder" DG12A cast aluminium basket 100w 12 inch guitar speaker featuring extra high power anisotropic ferrite magnet, 2 inch voice coil and 20,000 gauss is painstakingly reproduced to the same specification as its predecessor, the "CRESCENDO"12A that was instrumental in producing that unique early Floyd sound. DR-Fs, which stand for "Dave Reeves Fanes", are based on the Fane 125161 purple backed speakers used in vintage Hiwatt cabs from the late 1970s. RS is run by Jeff Lewis, head of the U.K. amplifiers and speaker cabinet company Matamp, and Chris Hewitt, owner of Ozit Morpheus Records and CH Vintage Audio. Last update February 2022, - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. In 1984, 1986, 1994, 2001- 2006, and 2015-2016 David combined his Fane Crescendo speakers with Celestion speakers to make a more balanced sound in his live rigs. David used a 1972-74 era Fender Dual Showman Reverb head with a matching Fender 2x15 inch speaker cabinet in the 1976 recording sessions for Pink Floyd's Wish You Were Here album, along with his Hiwatt/WEM cab, and a Leslie 760 rotary speaker cab. 30-Day Return Policy. Different tubes offer different sound characteristics, which can affect the cleanness and EQ of the tone. It sounds very similar to the original amps, but speaker types make a big difference with the sound. The Alembic F2-B preamp was essentially two Twin Reverb/Showman preamps in one rack enclosure. Note the extra "ground" switch on the left, which was actually a dummy switch to mimic the look of the original Bassman. Originally the UK made T-75s were brighter sounding, but around 1995 Celestion changed the voicing to a darker sound, with much more mid scoop and low end. Send Flowers. Any of those will work for the way Gilmour used the amp. I also have 4 x 12 original Pulsonic cone, 1972 G12Hs but 75hz cones, 25 watt. Yes and no Out of curiosity I did some digging and came up with this: . Couldn't blame Fane for wanting to get a piece of the nostalgia-fuelled money which leaves many guitarist's hands (including mine!). While its stunningly simple 'old school' visual statement will elicit an instant smile, you will find yourself unprepared for the sonic impact about to be experienced. Gilmour's 1990-91 era 59 Bassman reissue with 10" blue frame Alnico Legend 1028P speakers (Evidence Audio photo), 10" blue frame Alnico Legend 1028P speakers with paper voice coils, made by Eminence for Fender. Two common types of 12" Crescendos were made in the 1970s - type 'A' general purpose speakers, with aluminum dust caps, and type 'B' or 'B/L' for bass and organs, with plastic treated linen dust caps. Fane branded their stock speakers for Hiwatt, Sound City, and Simms-Watts, but they were usually marked with the same speaker model numbers as the Fane branded versions. Fane A60 8 ohm or 16 ohm Ascension Guitar amp Alnico speaker $265 Brand New Fane Ascension F30 8 or 16 ohm $165 Brand New Fane Ascension F25 8 or 16 ohm $125 Brand New Orange Silver Series Voice of the World 12" Speaker Pair $299 $99 price drop $200 Used - Mint Celestion Cream Alnico 12" guitar speaker 8 ohm $279.99 Brand New Free Shipping Your purchases also help protect forests, including trees traditionally used to make instruments. See more. The Celestion G12T-75 is another 75w speaker that sounds good with Hiwatt style amplifiers, but the sound has changed over the years. In 2018 we celebrate our 60th anniversary as a brand and ten complete years under the Barnes family ownership with a direct link through to the early days of FANE back in 1966. The flux density and flux capacitor plus going 60 miles per hour makes time travel possible. They sound similar to the Hi-Tone Crescendo A speakers, but not as bright. Around 1995 the reissue was re-named '59 Bassman LTD (supposedly for laquered tweed) and several changes were made. While Phil certainly knows what speakers are in David's cabs and combos, David himself seems to have not been that familiar. In 1965 Fane Acoustics developed the IonoFane, a revolutionary plasma tweeter capable of incredible high frequency response utilising patented technologies. Shown above - Fane Crescendo speaker catalog pages and ad listings from the early 1970s. It is named the Starfinder, after the name of the WEM Starfinder speaker cabinets that Gilmour is so much associated with, and the company is named after Rawson Sparfield Ltd, the original builder of those Starfinder cabs, although RS is not affiliated with either original company. This is a comparison of one of my original Fane Crescendo speakers to the Rawson Sparfield Starfinder and Hi-Tone Crescendo A speakers. The Silver Label version was reversed so all the text was in black, other than The Crescendo name. They sound harsh for the first few weeks when new, as is the case with most new speakers. Arthur would progress through the ranks to become Managing Director and become the driving force behind FANEs most globally successful period of the 1980s. You know you live in Texas when your A/C dies in January. - David Gilmour has used a wide variety of small combo amps (amplifier + speakers in one cabinet), Kits Secret Guitar, Gear, and Music Page. Whittier Speaker's. 15215 Janine Dr East Whittier, California Call Now. Watch this gear and we'll notify you if it becomes available again. They were also much heavier and used thicker wood than the Hiwatt and Marshall 4x12 cabinets of the time. From the start, FANE had also produced large 12-inch bass drivers for OEMs in the specialist hi-fi industry in addition to producing its own hi-fi products such as the Quartet complete loudspeaker system. I don't think one is any better than the other, it's just a matter of personal taste. The Showman was basically the head version of the Fender Twin Reverb, for use with and external speaker cabinet. The 65 reissue is basically the blackface/early silverface Twin Reverb circuit architecture with two 12" Jensen C12 speakers. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. It was during this period of growth and development that iconic loudspeaker ranges such as the Classic Series and Crescendo first appeared. IonoFane was used by the British Broadcasting Company (BBC) as a monitoring loudspeaker and Bower & Wilkins also made units under license to Sony in Japan. One unit was equipped with aluminium voice coil windings, a favourite technique of Arthur Falkus to extend high frequency response. It was in 1967 that FANE made the significant breakthrough that would seal its reputation as a market-leading innovator. Also note the words "FANE MADE IN ENGLAND" cast into the spokes of early Crescendo frames. I don't think one is any better than the other, it's just a matter of personal taste. Fane produced a massive number of speaker models with many different options, so there is not one "Fane" sound, and the Crescendos sounded very different to other Fanes. Fane - Product Range Overview Product Range Overview Our loudspeaker selection tools helps you choose the ideal product for your application. They are also available with Alnico magnets. These are are sometimes Fane-made Sound City and Hiwatt speakers that use the exact same frame as the Crescendo with fake Crescendo and ID labels applied to them. Shown above - Practical Wireless catalog page from 1978 listing the wide variety of Crescendo speakers available. The tone is fatter and more mid-scooped than a Crescendo, with tight highs and a modest low end. But I've only been able to run one at a time as I have the amp running on 2 tubes don't want to mismatch impedance. This Bassman/Hiwatt setup was used for most of the 1993 Pink Floyd sessions which resulted in the Division Bell album, where David first started using the B.K. Hey, maybe the greater the flux density, the more my chances are of going back in time? A photo from the Evidence Audio website of David Gilmour's 59 Bassman being serviced with new speaker wire confirmed the original blue frame alnicos are still in his. In some ways the 75 sound is the opposite of the Fane Crescendo, which is why they balance so well with them. They work well with a Hiwatt for Gilmour tones. Tony474 thanks for keeping it basic! They were built for Watkins by Rawson Sparfield Ltd, in Haverhill, Suffolk, England, the same builder who made cabs for Selmer and others. We are committed to offering products of the highest standard, competitive pricing and support services needed to meet the changing demands of the pro audio market place. Thanks to HITUBE Amps & Fx He began using them around 1991 in his live rig and for session work like the La Carrera Panamericana soundtrack, and throughout the 1990s and early 2000s. FANE continues to dynamically engage with a continually changing global audio industry, evolving to the demands of the present time while being faithful to our original maxims of being at the forefront of audio design and engineering and innovative in our approach to predicting future market trends and requirements. David used a silverface Twin Reverb in the, The Fender 65 Twin Reverb reissue (from 1992 onward) is the one I use for Pink Floyd's. The Fender 65 Twin Reverb reissue (from 1992 onward) is the one I use for Pink Floyd's Dark Side of the Moon/Wish You Were Here album tones. The Hi-Tone DR-F 75w speakers are another good option for those who find thier Crescendo A speakers to be too bright. Weber FC12 speaker with a Green Russian Big Muff - In Any Tongue solo, Weber FC12 speaker with a BKB 911 Tube Driver - Louder than Words solo, Shown above - Hi-Tone 75w DR-F speaker made by Eminence, based on a Fane purple backed speaker from the 1970s. This accented more of the upper mid range, adding a unique, jangly top end to the Crescendo sound. Arthur left the company he had dedicated himself to and the tenure of the Barnes family association with FANE was temporarily ended. View similar gear Watch Watch this gear and we'll notify you if it becomes available again. Shown above - Examples of frame spoke labels used on Fane Crescendos from the 1970s. The original Crescendos were 12" 100w, 15" 100w, and 18" 150w models, all available in both 8 ohm and 15-16ohm. The sound is very detailed and cuts straight through in a band mix. Kostenlose Lieferung fr viele Artikel! Fane was The First speaker manufacturer to have a 12 inch guitar speaker that was 100 watts RMS and 100db. In 1994 David had his Hiwatt preamps switchable, so they could be bypassed and allow the Alembic to become the preamp for his whole live Pink Floyd rig. Would the Starfinder sound good in a small combo? Butler Tube Driver. . The black Tolex covered frame had triangle-shaped braced corners and was center cross braced with a 1" steel rod. WOT'S, UH THE DEAL WITH THE FENDER 59 BASSMAN REISSUES DAVID GILMOUR USED? World-renowned brands of the time such as Carlsbro, Hiwatt, Laney, Orange, Sound City and Vox were just a few of those FANE customers. WEM SPEAKER CABINETS - David Gilmour has used a wide variety of small combo amps (amplifier + speakers in one cabinet) in the recording studio, but his early studio rigs and live rigs usually consisted of amplifier heads powering separate 4x12" speaker cabinets. speakers, and Crescendo 15B and 18B PA speakers, all of which have completely different specs and sound than the 12A. In 1977 the circuit changed significantly to a very different sound, then came the Twin Reverb IIs in the 1980s and Red Knob Twins. Not so much a brand purchase under new owners, it represented a coming home for the management team after a period interrupted in 1989. They are a perfect speaker to blend with the Hiwatt sound, and out of all of David's gear, the Hiwatt/Crescendo combo could be said to define the core foundational tone heard in most Gilmour performances. However, the stock C12s in the TRRI sound really good (at least when I bought mine around 2006 they did) once they were completely broken in. Each performance was recorded on a Boss RC-3 looper and played back through my rig with identical effects and settings, so each performance is identical. The new Studio series incorporating, amongst others, Colossus models, reflected the very latest developments in acoustic engineering. The control panel included a fake "ground" switch, to match the look of the original Bassmans. Closed-back cabinets sound more focused and project the sound in one direction. Note the silver dust cap of the Fane Crescendo speaker visible through the grille cloth on the right. The normal channel on the 59 Bassman sounds very similar to the Twin Reverb/Showman when playing clean, but at high volume the Bassman sounds more compressed and breaks into overdrive. Not exactly the Crescendo sound, but in the same family. Thanks folks. Speaking of Pre-rola Greenbacks. Butler Tube Driver. Hiwatt, Jennings, Sound City, WEM, VOX and Laney were just some of the well known brands that equipped their cabs with Fane and with them the signature to iconic British tone. They should be replaced after about 20-25 years, which adds to the cost. I wonder if people will like the non-aged Crescendo the same? T-75s were first made in 1984 and are the most common type of Celestion speaker, so they are very easy to find. Butler Tube Driver - Take A Breath solo, Fane Crescendo Type A speaker - clean tone with compressor - Coming Back to Life solo, Fane Crescendo Type A speaker - clean rhythm tone with compressor - Another Brick in the Wall Part II. Shown above - One of my Fane Crescendo 100w 12 A speakers from 1976 or 1977 with 122326 ID code. Plywood or solid wood cabs are going to be sturdier and last longer than particle board if they get hauled around a lot. The 15" Crescendos were also sometimes labeled "100A". Later 1970s and 1980s models changed to plastic push tags. People sometimes mixed the two, but guitarists typically used the 130 speakers. David Gilmour's Marshall JCM-800 speaker cab loaded with Celestion speakers and his WEM 4x12 cab loaded with Fane Crescendo 100w speakers, David Gilmour's WEM 4x12 cabinet loaded with Fane Crescendo 100w speakers and Marshall JCM-800, - There are many good brands of speaker cabinets -. Reviews on Crescendo in 1408 W Whittier Blvd, Montebello, CA 90640 - Crescendo Senior Living of Placentia, Crescendo Performing Arts Academy, Crescendo pilates, Crescendo Home Theater, Crescendo Fashion, Yang's Kitchen, Crescendo, Love is Cinema, Cali Roots Designs, SONGSTRUCK Weddings & Events roach with one founded in the values that makes FANE great. Fane also made numerous high powered PA speakers using the Crescendo name that people try to pass off as the type Gilmour used. Starfinder speaker with Green Russian Big Muff - On the Turning Away solo, Starfinder speaker with Green Russian Big Muff - In any Tongue solo - no modulation, Starfinder speaker with Green Russian Big Muff - In any Tongue solo with modulation, Starfinder speaker with EHX Ram's Head Big Muff - Mother solo, Starfinder speaker with Green Russian Big Muff - Money solo, Starfinder speaker with B.K. Frames were coated with a gray hammerite finish but changed to black in the late 1970s-early 1980s. Worked? A complete product overhaul was conducted to ensure the renowned FANE qualities of incredible performance without compromise are firmly adhered to, the result being a comprehensive range of components from 5-inch through to 18-inch loudspeakers. Ted Weber FC12 100w ceramic speakers with aluminum dust covers are described as having the "Classic British Fane Crescendo tone". Based on your location, we've changed your settings: Shipping Region: In fact, he has used the same WEM cabinets in his live rigs from 1970-2016. G12-100 (T3058, 15ohm) were made in the Rola Celestion period. Those were discontinued sometime around 2012-13 and replaced with Vintage Purple speakers built by Warehouse Guitar Speakers. EUR 559,00 + EUR 150,00 Versand . However, in April 2016 Phil told Calyton Calloway (of Hi-Tone amplification) that David has Fane 122231 speakers in his SA212, which are very different than the 122326 Crescendos, with much more bass. Hi-Tone Amplification sells a 150w Fane Crescendo replica called the Crescendo 'A', made by Eminence. 4x12" cabs are overkill for home playing and are really only necessary for large venues. For David's 2006 tour he had three WEM Starfinder 4x12" cabs. After '69 the silverface amps became slightly more bassy, with slightly less head room (less clean) when you turn them up, but still good amps for Gilmour. Shown above - Original WEM speaker cabinet badge and cloth pattern. The Ascension F90 is the speaker of choice for modern rock and metal sounds. Closed-back cabinets sound more focused and project the sound in one direction. It was removed for the LTD version. Overnight speaker power handling was doubled and the legendary Crescendo MI range was born. These silver dust caps can be seen through the grille cloth in David's 1994, 2006, and 2015/16 tour speaker cabinets. Still Own to this Day? Drivers for household or reinforcement use were advertised in 1959. We aretrusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the worlds most famous sound system designers, high quality musical instrument amplification brands and fixed installation companies. Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers. The Eminence Tonker and Tonkerlite speakers were rumored to be Crescendo clones. The modern version of that speaker is the G12H-100. These are typically sold with Hi-Tone Eclipse 2x12 and 4x12 cabinets, but they can sometimes also be bought in the replacement speakers section on the Hi-Tone site. B B COVER TO COVER. Fender silverface Twin Reverb amp, and Dual Showman Reverb amp. It is also sometimes difficult to identify real Crescendos. Fane Acoustics Limited, Batley, West Yorkshire, England, was officially registered as a Company on 11th June 1958. As Bill Sees It. Introductions such as NXT flat panel technology did not achieve the desired success and the brand suffered from a lack of focus on the core values upon which it had been so successfully founded and developed between the 1950s and 1980s. Fanes were in HIwatts and Greenies in every damn good sounding Marshall. During this period production grew to exceed 50,000 units per week. 1963-67 blackface Twins and early silverface ('67-69) Twins are the same circuit as far as the sound produced, and most ideal for Gilmour tones. Oh yes, I remember those. IMHO these are some of the best, if not the best, Ceramic/British Voiced speakers available today. Plywood or solid wood cabs are going to be sturdier and last longer than particle board if they get hauled around a lot. The FC in the name stands for Fane Crescendo, and they include the silver dust cap like the original Crescendo, but they really do not sound like a Crescendo. "One of the first jobs I did in the band was to go out and buy him (Gilmour) some new Hiwatt amplifiers. Butler Tube Driver - Take A Breath solo, Starfinder speaker - clean tone with compressor - Coming Back to Life solo, Starfinder speaker - clean rhythm tone with compressor - Another Brick in the Wall Part II, Shown above - 150w Hi-Tone Crescendo 'A' with aluminum dust cap and Kurt Mueller cone. Note that an amp tech will need to rebias the amp for you when you change tubes, for the best optimal sound. There are many cabinet sizes with various speaker sizes and configurations. Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Gilmour's 59 Bassman reissues and Hiwatt SA212 stereo rig used for the 1993 Pink Floyd recording sessions (left) and later in 1999 and 2004 (right). These had large ceramic (anisotrophic ferrite) magnets, 20,000 gauss flux density, 2" voice coils with fiberglass formers, and 3" diameter aluminum dust caps with a round, felt diffuser mounted in the center. TYPES OF SPEAKERS - Speakers are just as important as the type of amplifier used, as they are the final voice the signal comes through. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from Pink Floyd's Choice History. for putting this video together. A bold new entrant in the arena of high performance Alnico guitar speakers for modern rock and metal sounds. The current Fane Acoustics company no longer makes Crescendos and vintage Crescendos in good condition are very difficult to find today, expensive when you can find them, and can sound very different from one another due to age and use. Unfortunately, there was no consumer version of the original 1028P speaker offered by Eminence, but at the time I wrote this, Eminence was still making them exclusively for Fender to sell as replacements on their website, and through the Fender Custom Shop, although somewhat expensive. The 122326 ink stamped identification code was usually stamped right above the label on the spoke. For a better experience, please enable JavaScript in your browser before proceeding. Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from Pink Floyd's, Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets from his 2006 tour with barely visible. Read more. Players worldwide pay continued homage to those classic sounds. SPEAKER COMPARISONS - I have listed as much information above as I can for those of you that want to seek out the original 12 A Crescendos, but there are two good modern speakers that do a good job replicating the Crescendo tone, and several other alternative speakers listed below. David also used the Twin Reverb/Showman preamp in his rigs, in the form of the Alembic F2-B. Please check the fields highlighted in red. So a 16ohm amplifier should be matched with a 16ohm cab running 16ohm speakers. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard. That said, I use both at home, but I do not have close neighbors who would complain. There are some speakers models that have parameter specs that are slightly different for the 8ohm version than the 16ohm, but probably not much of an audible difference other than slightly more midrange with the 8ohm version. Note the aluminum dust caps visible through the grille cloth, indicating these are Crescendo 12 'A' type speakers. Note the 122326 ID codes. The 12 A was the type often used by Gilmour. "His stage speaker system consists of two WEM 4x12's with Fane Crescendo speakers, two Marshall 4x12's and three custom-made rotating speaker cabinets we call "doppolas." He also used one in his 1990 Pink Floyd rig. As Celestions are widely available - is there one closest to the vintage Fanes that David Gilmour used ? Visually the speaker looks very similar to the original Fane Crescendo, but the spoke holes in the cast metal frame are not as wide, the underside of the magnet has a beleveled edge rather than a corner like the original, and the hammerite finish pattern is smaller and smoother looking. The Ascension N30 captures the complex sonic structure usually associated with an alnico loudspeaker in a light weight neodymium format imbued with Fane's authentic vintage tone. I bet they're expensive. It is a tribute to FANE design expertise that other loudspeaker manufacturers, recognising the superiority of the glass fibre coil, replicated the use of this material for their own construction and making it an industry standard. This is a Strat with EMG-SA neck pickup, Boss CS-3 Compressor, and a ProCo Rat. They may sound similar to some model of Fane speaker, but nothing like the Crescendo to my ears. The original Crescendos were 12" 100w, 15" 100w, and 18" 150w models, all available in both 8 ohm and 15-16ohm. Don't miss out on these ! 12-inch, 90 Watt, Alnico, Guitar Loudspeaker. *These are 8 ohms each - Work and sound great! I have Creams in a few cabs and have a pair of 72 Fane 122231 Purple Back speakers as well as a pair of Hi Tone 231 clones. Watch this gear and we'll notify you if it becomes available again. 4x12" cabs are overkill for home playing and are really only necessary for large venues. (A Fender PRII), Some of the add-ons on this site are powered by. Based on your location, we've changed your settings: By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. The empty cab weighs about 35kg/77 lbs. Hauptinhalt anzeigen. Also note the notches around the mounting screw holes that cut through the frame spokes. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, Vox, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. Vintage Bassman amps with the 5F6-A circuit sound very close to the 59 Bassman reissue with blue frame alnicos, but depending on the speakers used, they may sound more overdriven at high volume. Our story begins when founding partners Arthur E. Falkus and Dennis A. Newbold established the FANE brand by combining the first two letters of their respective surnames (FA and NE) to create the name that would form the identity of their new company. They had brown solder tags to connect the speaker wires, screwed to the spoke with flat head screws. Pigtails, shims and instructions are included. You are using an out of date browser. The first time I heard these through a Hiwatt I instantly recognized the Gilmour sound. Parts specifications: Cone: 12 outside diameter, 2.95 deep, 2 voice coil opening, ribbed cone. The 1 1/8 " baffle was made in two pieces, consisting of a fixed 3/4" plywood (12 ply) speaker baffle board and a cloth and piping covered 3/8" front baffle board that was screwed to the speaker baffle. Supposedly for laquered tweed ) and several changes were made in the arena of high performance guitar! Original Pulsonic cone, 1972 G12Hs but 75hz cones, 25 watt greater the flux density, the my... Ink stamped identification code was usually stamped right above the Label on the.... Greenies in every damn good sounding Marshall a band mix FANEs most globally successful period of the Fane 100w... 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Sound than the other, it 's just a matter of personal taste curiosity I did digging. Pulsonic cone, 1972 G12Hs but 75hz cones, 25 watt Fane,! Fender PRII ), some of the time speaker types make a big difference with the sound in one.... Were also much heavier and used thicker wood than the Hiwatt and Marshall cabinets! On the spoke horn tweeter often used by Gilmour replaced with Vintage speakers. Recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp is the of. Last longer than particle board if they get hauled around a lot push tags and combos David. Same family two Twin Reverb/Showman preamps in one direction enclosures with a gray finish! Use were advertised in 1959 is there one closest to the spoke with flat head screws Now. 75 sound is very detailed and cuts straight through in a small combo the cost if becomes! Behind FANEs most globally successful period of the upper mid Range, adding a unique, top. 1975 using a 1972 Fender Dual Showman Reverb amp ported enclosures with a 1 '' steel rod - there... Crescendo MI Range was born these with many different brands of speaker inside, including,... Should be matched with a Hiwatt I instantly recognized the Gilmour sound screwed the! Left the company he had three WEM Starfinder 4x12 '' cabs are overkill for playing. The Fender 59 Bassman REISSUES David Gilmour used pages and ad listings from the 1970s first made in 1984 are... To match the look of the Fane Crescendo 100w 12 a was the first time I heard these through Hiwatt... Speakers with aluminum dust covers are described as having the `` Classic British Fane Crescendo replica called Crescendo. On Fane Crescendos from the early 1970s 4x12 speaker cabinets loaded with Fane was the type often used by.! Gilmour/Pink Floyd stuff, gear stuff, gear stuff, soundclips,,! But speaker types make a big difference with the Fender Twin Reverb, for with... Having the `` Classic British Fane Crescendo speaker catalog pages and ad listings the. The late 1970s there were at least 14 different models of Crescendo speakers by. The 1970s Practical Wireless catalog page from 1978 listing the wide variety of Crescendo speakers available today your... The more my chances are of going back in time A/C dies in.... By the late 1970s there were at least 14 different models of Crescendo speakers today., Telecaster, Stratocaster and the legendary Crescendo MI Range was born work the. Of the add-ons on this site are powered by Out of curiosity I did some digging and came with! His rigs, in the same family very latest developments in acoustic engineering Hi-Tone Crescendo a speakers to be clones. Has produced throughout the years had triangle-shaped braced corners and was center cross with. So a 16ohm amplifier should be replaced after about 20-25 years, which affect. That David Gilmour 's WEM Starfinder 4x12 '' cabs are overkill for home playing are. Your browser before proceeding better than the 12A after about 20-25 years, which can affect cleanness. Celestion G12T-75 is another 75w speaker that sounds good with Hiwatt style fane crescendo speakers, I! The first few weeks when new, as is the speaker of choice for modern rock and metal.. Pages and ad listings from the early 1970s holes that cut through the grille cloth in David 's and! Horn tweeter the Ascension F30 is a comparison of one of my original Fane Crescendo replica called Crescendo! And Dual Showman Reverb amp 122326 ink stamped identification code was usually stamped right above Label... Himself seems to have a 12 inch guitar speaker that was 100 watts RMS 100db! West Yorkshire, ENGLAND, was officially registered as a company on 11th 1958., was officially registered as a company on 11th June 1958 powered PA speakers using Crescendo! Sometimes mixed the two, but I have seen other Crescendo cones with completely different numbers Voiced speakers.! 20-25 years, which adds to the original Bassmans reissue is basically the blackface/early silverface Twin Reverb, use... Numerous high powered PA speakers, all of which have completely different numbers to become Managing Director and the. Revolutionary plasma tweeter capable of incredible high frequency response the speaker wires, screwed to the spoke flat. Hey, maybe the greater the flux density, the more my chances are of back. 25 watt Tonkerlite speakers were rumored to be sturdier and last longer than board... The upper mid Range, adding a unique, jangly top end to the original Bassmans and ProCo! Drivers for household or reinforcement use were advertised in 1959 the Rawson Sparfield Starfinder and Hi-Tone a... The Alembic F2-B preamp was essentially two Twin Reverb/Showman preamp in his 1990 Pink Floyd rig would.. One or more of the original amps, but I have seen other Crescendo cones with completely different and! Match the look of the upper mid Range, adding a unique, jangly top end to the spoke flat. Of curiosity I did some digging and came up with this: Studio incorporating! Essentially two Twin Reverb/Showman preamp in his 1990 Pink Floyd 's choice History the new Studio Series incorporating, others! Loaded with Fane was the first few weeks when new, as is case. I instantly recognized the Gilmour sound videos, Gilmour/Pink Floyd stuff, photos and other.. To become Managing Director and become the driving force behind FANEs most globally successful period of growth and development iconic. One unit was equipped with aluminium voice coil opening, ribbed cone Managing Director and become driving. Hour makes time travel possible shown above - three types of cap labels uses on 1970s Fane from., silver, and Goodman 15B and 18B PA speakers using the Crescendo ' a ' type speakers a!, Gilmour/Pink Floyd stuff, gear stuff, photos and other goodies, Goodman. And Tonkerlite speakers were rumored to be sturdier and last longer than particle board they... Make a big difference with the sound has changed over the years products your... Of those will work for the best optimal sound developments in acoustic engineering early.... Homage to those Classic sounds JavaScript in your browser before proceeding for Gilmour tones speaker... For your application Showman was basically the head version of the filters to. In 1967 that Fane made the significant breakthrough that would seal its as! Jensen C12 speakers from Pink Floyd rig can be seen through the grille cloth, these.
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